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Theater Pizzazz June 13, 2018
…their imaginary son. On this night, their audience is another unhappy, infertile couple named Nick and Honey. Excerpt from “‘Everyone’s Fine With Virginia Woolf,’ Theater Reviews” by Carol Rocamora. Read the whole article here….
Talkin' Broadway October 10, 2017
…director John Collins’s “smoke and mirrors” and pay close attention, you’ll find an underlying thoughtful examination of the play’s deeper themes. Excerpt from “Off Broadway Reviews Measure for Measure” by Howard Miller. Read the full…
New York Magazine September 26, 2013
…colloquially to “for the sake of argument,” not “to conclude definitively and forcefully.” There are delicate netherparts on display here; to bring a gavel down would endanger them needlessly. And as a friend of mine…
…Quincy Confoy, at quincy@elevator.org for information on how to purchase a table or tickets by check. OTHER WAYS TO SUPPORT Unable to attend? Please consider making a donation, or sponsoring an ERS company member to…
de Volkskrant May 25, 1998
…De New Yorkse theatergroep Elevator Repair Service (ERS) is een hit in het alternatieve theatercircuit. Hun regisseur John Collins is de geluidsman van de Wooster Group en dat is niet de enige overekomst. Net als…
…includes Everyone’s Fine with Virginia Woolf, Fondly, Collette Richland, and Measure for Measure. Where can we find you online? @citywolfstudio, www.avpuppets.com Where were you born?: San Antonio, TX First job you ever had: In…
The Brooklyn Rail April 2008
…sound design, and the occasional burst of dark whimsy. Previews of The Sound and the Fury begin April 15 at New York Theatre Workshop, 79 E. 4th St. Please visit www.nytw.org for more information. View…
…meet their personal, as well as, professional obligations. Periodically review by-laws, employee handbook and job review, hiring and other internal policies to ensure they are fair and equitable. Provide staff training to ensure a welcoming…
The New Yorker September 27, 2010
…called him a “chain-writer,” reporting that “he’d write FINIS to one play and, without re-sharpening his pencil, begin with the title of the next.” By 1925, David had become Broadway’s “king of professional play doctors,”…