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The Brooklyn Rail April 2008
…sound design, and the occasional burst of dark whimsy. Previews of The Sound and the Fury begin April 15 at New York Theatre Workshop, 79 E. 4th St. Please visit www.nytw.org for more information. View…
…here in NYC. Where can we find you online? maggiehoffman.org What are you working on now? With Radiohole I’m producing Exposure, a group show of visual art and performance exploring the body at The Collapsable…
…inclusion on gala website, and other promotional and press materials. Full-page ad and sponsorship listing in event program 4 tickets to ERS’s Ulysses at the Fisher Center at Bard. $15,000 GOLD TABLE Table (12 tickets)…
…includes Everyone’s Fine with Virginia Woolf, Fondly, Collette Richland, and Measure for Measure. Where can we find you online? @citywolfstudio, www.avpuppets.com Where were you born?: San Antonio, TX First job you ever had: In…
…Dear friend of ERS, Welcome to the first issue of The ERS Not-Quite-Monthly. We’ll be sending it to you every six weeks. Let us know what you think at info@elevator.org So,This Just Happened……
Chicago Sun Times March 12, 2014
…justices. “We dug around online, looking at photos and videos of interviews, trying to get their inflections and personality quirks. And we found interesting C-Span interviews with two female justices — Sandra Day O’Connor and…
…Seagull Zoom online rehearsal still (Kate Benson, John Collins (director), Susie Sokol, Robert M. Johanson, Maggie Hoffman, Julian Fleisher, Vin Knight, Laurena Allan, Lindsay Hockaday, John Gasper, Katherine Profeta (choreographer), Mark Rossier (producer),…
…attempt to oust their rivals, physically and procedurally, from the headquarters at the Alva Belmont House in Washington, D.C. Clubbed Thumb will present a 30-minute online excerpt on October 23rd at 7:30 pm ET. For…
The Scotsman August 26, 2010
…or authenticity by setting the whole action in a generic bar-room of any place or period, and adopting a Brechtian rehearsal room technique that combines Jake’s narrative — performed with tremendous quiet clarity by Mike…
TheatreForum Issue 23
…to see how its generic modes can crossover and inform, hopefully for the better, theatrical modes. The play had not been cast, at least not in the traditional sense, at the time work began on…