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The Brooklyn Rail April 2008
…sound design, and the occasional burst of dark whimsy. Previews of The Sound and the Fury begin April 15 at New York Theatre Workshop, 79 E. 4th St. Please visit www.nytw.org for more information. View…
…you updated as performance dates are announced. Just added to our merch store: you can rep ERS in the streets this fall in a brand new embroidered hoodie and beanie, or at home with an…
…includes Everyone’s Fine with Virginia Woolf, Fondly, Collette Richland, and Measure for Measure. Where can we find you online? @citywolfstudio, www.avpuppets.com Where were you born?: San Antonio, TX First job you ever had: In…
…Dear friend of ERS, Welcome to the first issue of The ERS Not-Quite-Monthly. We’ll be sending it to you every six weeks. Let us know what you think at info@elevator.org So,This Just Happened……
Women and Performance: A Journal of Feminist Theory Issue 24
…How did the buildings map out the city? What does it mean to live a daily life here, to buy a bagel or catch a bus? Where could I find stamps, or purchase milk that…
…buy tickets here. Our upcoming virtual benefit The Tonight Zoom with Jordan Klepper: A Celebration of Live Theater (remotely) (and partly pre-taped) will stream June 23rd at 7 pm ET. You guessed it: the…
…Seagull Zoom online rehearsal still (Kate Benson, John Collins (director), Susie Sokol, Robert M. Johanson, Maggie Hoffman, Julian Fleisher, Vin Knight, Laurena Allan, Lindsay Hockaday, John Gasper, Katherine Profeta (choreographer), Mark Rossier (producer),…
…attempt to oust their rivals, physically and procedurally, from the headquarters at the Alva Belmont House in Washington, D.C. Clubbed Thumb will present a 30-minute online excerpt on October 23rd at 7:30 pm ET. For…
…Quincy Confoy, at quincy@elevator.org for information on how to purchase a table or tickets by check. OTHER WAYS TO SUPPORT Unable to attend? Please consider making a donation, or sponsoring an ERS company member to…
The Scotsman August 26, 2010
…or authenticity by setting the whole action in a generic bar-room of any place or period, and adopting a Brechtian rehearsal room technique that combines Jake’s narrative β performed with tremendous quiet clarity by Mike…