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The New York Times September 28, 2015
…you get to experience while you’re wide-awake. Time was when such an invitation involved a sugar cube, a chemical and a medicine dropper. But Elevator Repair Service has come up with a head trip that…
The New York Times October 6, 2010
…astonishing Scott Shepherd, is in this case an ennui-laden, underworked fellow who, in the play’s opening scene, materializes in a shabby office that might as well have “dead end” on its door. Waiting for a…
The Brooklyn Rail April 2008
…very limited understanding of the world around him. He can’t always tell the other characters apart, and he can’t differentiate his memories of the past from his perceptions of the present moment. To make things…
…The Sound and the Fury, The Select and just last month, Ulysses at Symphony Space. Other work includes: Goethe’s Faust (Classic Stage Company), The Lily’s Revenge (Here Arts), The Three SIsters (Classical Theater of Harlem),…
The New Yorker May 25, 2011
…performed (either in adapted form or in full)—“The Great Gatsby,” “The Sun Also Rises,” and “The Sound and the Fury”—and delivered, in synch, to iPod touches tucked into paperback books with covers collaged from the…
…Seagull Zoom online rehearsal still (Kate Benson, John Collins (director), Susie Sokol, Robert M. Johanson, Maggie Hoffman, Julian Fleisher, Vin Knight, Laurena Allan, Lindsay Hockaday, John Gasper, Katherine Profeta (choreographer), Mark Rossier (producer),…
…ERS takes on The Supreme Court. In Arguendo, ERS tackles Barnes v. Glen Theatre, a 1991 U.S. Supreme Court case. Brought by a group of erotic dancers who claimed a First Amendment right to…
Die Presse June 17, 2007
…as an employee whose computer isn’t working flips open a book and starts to read: F. Scott Fitzgerald’s “The Great Gatsby.” And it’s twenty minutes to ten on the clock when the last sentence of…
Variety October 1, 2006
…by the show itself, which is a revelatory and exuberant experience. The action opens with Nick (Scott Shepherd), who arrives wordlessly at a dingy, depressing office space and proceeds with a desultory attempt at getting…
Yale Alumni Magazine November/December 2005
…they let their experience be shaped by the novel rather than their expectations of a theater piece?” Collins needn’t have feared. Preview audiences have stayed put, riveted by the unfolding story. Elizabeth LeCompte, director of…