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Performing Arts Journal May 1998
…short, if I may: theatre should distill the arrangement of languages and bring us a momentum of artistic reverie or exaltation. By its very nature theatre should communicate and transcend; the banal becomes glorious, the…
Performing Arts Journal May 1998
…New York and venues in Europe, showcases the free-ranging talents of an intensely physical theatre, at once cryptic and relevant, referential and stoic. Contriving a kind of universal comedy, Elevator Repair Service, a collaborative of…
Die Welt September 10, 1998
…effect without effort, like the movements of ordinary young people acting obliviously, without any artistic intention. This trick was at work in the Sophiensaele during the world premiere of “Total Fictional Lie”, a production commissioned…
The Independent October 3, 2008
…cricket match. Mercifully there was free espresso on hand, though barely a moment of the show flagged. Unsurprisingly, it was not a sell-out and the empty seats allowed one to comfortably stretch out. The actor,…
The New York Times December 16, 2010
…a Nervous Breakdown”). Yep, we had ’em all this year, to the point of suffocation. Add to that infra-dig works from some of the best dramatists writing in English (John Guare’s “Free Man of Color,”…
The Paris Review May 31, 2012
…in January 1991, the question the court faced was whether Indiana’s law violated the free expression guaranteed by the First Amendment. In Collins’s current staging, the arguments are reduced to a discussion between two figures,…
Variety November 30, 2007
…and the Fury” incorporates plenty of stage combat, as well as music and dancing, but it’s about as far from a CliffsNotes-like version as you can get. “We had to subject ourselves to Faulkner’s insanity,…
Bomb Spring 1999
…by Coco Fusco I never thought I’d hear an artist complain about having too much attention. Then I encountered theatrical wunderkind John Collins, codirector of the rising-star dramatic ensemble Elevator Repair Service and sound…
The New York Times December 16, 2010
…a Nervous Breakdown”). Yep, we had ’em all this year, to the point of suffocation. Add to that infra-dig works from some of the best dramatists writing in English (John Guare’s “Free Man of Color,”…
The Times of London May 10, 2012
…other so well, we’re like family. It isn’t free-form improvisation, but something much more organic.” The company is mostly male, and the lead parts in recent shows mainly male. “The company is aware of that,”…