The Select
(The Sun Also Rises) • Press
- Shakespearences March 1, 2017
- DC Metro Theater Arts March 2, 2017
- The Georgetown Dish March 1, 2017
- DC Metro Theater Arts March 1, 2017
- Women Around Town March 1, 2017
- The Washington Post February 28, 2017
- Timeout New York September 11, 2012
- New York Times September 11, 2011
- The Irish Times September 30, 2012
- Timeout Boston March 17, 2011
- The Independent August 20, 2010
- The Scotsman August 26, 2010
- What's On Stage August 16, 2010
- The Guardian August 15, 2010
- British Theatre Guide August 2010
- Sarasota Herald-Tribune October 8, 2009
Elevator Repair Service’s The Select (The Sun Also Rises) at STC (review)
By
Three hours and ten minutes breeze by in The Select, Elevator Repair Service’s delightfully inventive riff on Ernest Hemingway’s classic novel The Sun Also Rises. I thoroughly enjoyed it, am extremely pleased to have seen it, and would recommend it highly, even if the experience was occasionally frustrating.
ERS’s clever storytelling at times feels somewhat out-of-sync with the characters, moods, and style of the original. That said, this hybrid Hemingway is replete with its own satisfactions, and ends up being a tribute that, while not slavishly authentic to the novel, does capture much of its essence.
Like the company’s previous literary adaptations, all the words we hear are from the source material. Some of the staging, though, tweaks the original in ways informed by contemporary attitudes and by downtown aesthetics.
ERS is a twenty-five year old NYC-based company that had a break-out hit with its seven-hour stage version of F. Scott Fitzgerald’s The Great Gatsby. (That was called Gatz.) They followed up with The Sound and the Fury, in which one long chapter from William Faulkner’s masterpiece was staged.
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